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The Future Is Female! Volume Two, The 1970s

More Classic Science Fiction Stories by Women

Édité par / Edited by Lisa Yaszek

 

[FR] Retournez à L’avenir est féminin dans ce tout nouveau recueil d’histoires très divertissantes écrites par les écrivaines féministes qui ont transformé la science-fiction américaine dans les années 1970.

 

[EN] Go back to the Future Is Female in this all new collection of wildly entertaining stories by the trailblazing feminist writers who transformed American science fiction in the 1970s

Effacer / Clear

Dans les années 1970, des auteures féministes ont créé un nouveau mode de science-fiction en défiant le “patriarcat babouin” – selon les termes d’Ursula Le Guin – qui avait longtemps dominé le genre, imaginant des futurs qui sont encore visionnaires. Dans cette suite de son anthologie révolutionnaire de 2018, The Future is Female ! 25 Classic Science Fiction Stories by Women from Pulp Pioneers to Ursula K. Le Guin, l’experte en SF Lisa Yaszek propose une machine à remonter le temps jusqu’à la décennie où des rebelles clairvoyants ont changé la science-fiction pour toujours avec des histoires qui ont placé la communauté, l’agence et la sexualité féminines au cœur de l’avenir américain.

Voici vingt-trois classiques sauvages, pleins d’esprit et merveilleux qui mettent en scène les énergies libératrices des années 1970 :

Sonya Dorman, “Bitching It” (1971) | Kate Wilhelm, “The Funeral” (1972) | Joanna Russ, “When It Changed” (1972) NEBULA AWARD | Miriam Allen deFord, “A Way Out”(1973) | Vonda N. McIntyre,  “Of Mist, and Grass, and Sand” (1973) NEBULA | James Tiptree, Jr., “The Girl Who Was Plugged In” (1973) HUGO AWARD | Kathleen Sky, “Lament of the Keeku Bird” (1973) | Ursula K. Le Guin, “The Day Before the Revolution” (1974) NEBULA & LOCUS AWARD | Eleanor Arnason, “The Warlord of Saturn’s Moons” (1974) | Kathleen M. Sidney, “The Anthropologist” (1975) | Marta Randall, “A Scarab in the City of Time” (1975) | Elinor Busby, “A Time to Kill” (1977) | Raccoona Sheldon, “The Screwfly Solution” (1977) NEBULA AWARD | Pamela Sargent, “If Ever I Should Leave You” (1974) | Joan D. Vinge, “View from a Height” (1978) | M. Lucie Chin, “The Best Is Yet to Be” (1978) | Lisa Tuttle, “Wives” (1979) | Connie Willis, “Daisy, In the Sun” (1979)

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In the 1970s, feminist authors created a new mode of science fiction in defiance of the “baboon patriarchy”—Ursula Le Guin’s words—that had long dominated the genre, imagining futures that are still visionary. In this sequel to her groundbreaking 2018 anthology The Future is Female!: 25 Classic Science Fiction Stories by Women from Pulp Pioneers to Ursula K. Le Guin, SF-expert Lisa Yaszek offers a time machine back to the decade when far-sighted rebels changed science fiction forever with stories that made female community, agency, and sexuality central to the American future.

Here are twenty-three wild, witty, and wonderful classics that dramatize the liberating energies of the 1970s:

Sonya Dorman, “Bitching It” (1971) | Kate Wilhelm, “The Funeral” (1972) | Joanna Russ, “When It Changed” (1972) NEBULA AWARD | Miriam Allen deFord, “A Way Out”(1973) | Vonda N. McIntyre,  “Of Mist, and Grass, and Sand” (1973) NEBULA | James Tiptree, Jr., “The Girl Who Was Plugged In” (1973) HUGO AWARD | Kathleen Sky, “Lament of the Keeku Bird” (1973) ¬ Ursula K. Le Guin, “The Day Before the Revolution” (1974) NEBULA & LOCUS AWARD | Eleanor Arnason, “The Warlord of Saturn’s Moons” (1974) | Kathleen M. Sidney, “The Anthropologist” (1975) | Marta Randall, “A Scarab in the City of Time” (1975) | Elinor Busby, “A Time to Kill” (1977) | Raccoona Sheldon, “The Screwfly Solution” (1977) NEBULA AWARD | Pamela Sargent, “If Ever I Should Leave You” (1974) | Joan D. Vinge, “View from a Height” (1978) | M. Lucie Chin, “The Best Is Yet to Be” (1978) | Lisa Tuttle, “Wives” (1979) | Connie Willis, “Daisy, In the Sun” (1979)

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Auteur.rice / Author

Lisa Yaszek, éditrice, est professeur à la School of Literature, Media, and Communication de Georgia Tech et ancienne présidente de la Science Fiction Research Association. Elle est l’auteur de Galactic Suburbia : Recovering Women’s Science Fiction (2008), et coéditrice de Sisters of Tomorrow : The First Women of Science Fiction (2016) ; elle est actuellement membre du jury du John W. Campbell Memorial Award pour le meilleur roman de science-fiction de l’année et du Eugie Foster Memorial Award pour la meilleure histoire spéculative de l’année.

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Lisa Yaszek, editor, is Professor in the School of Literature, Media, and Communication at Georgia Tech and past president of the Science Fiction Research Association. She is the author of Galactic Suburbia: Recovering Women’s Science Fiction (2008), and coeditor of Sisters of Tomorrow: The First Women of Science Fiction (2016); she currently serves as a juror for the John W. Campbell Memorial Award for Best Science Fiction Novel of the Year and the Eugie Foster Memorial Award for the Best Speculative Story of the Year.

Media

“But for my money, the sci-fi event of the season is the second volume of the Library of America’s absorbing “The Future is Female” series. This installment focuses on short stories by women of the 1970s, the heyday of Ursula K. Le Guin and James Tiptree Jr., the pseudonym of Chicagoan Alice Bradley Sheldon.” —Christopher Borrelli, Chicago Tribune

“Yaszek has come up with a great mix . . . the real treat is in discovering some terrific but less well-known works by authors now largely forgotten.” —Alex Good, The Toronto Star

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